| BEAVERSTOCK, John G. | The employment of the organ in three great oratorios of Edward Elgar | MusM | University of Western Aust. | 1995 | 103 |
| BOLLARD, David | The Weinen, Klagen Variations of Franz Liszt: a technical and stylistic study | MusM | University of Western Aust. | 1978 | 76 |
| COUGHLAN, Mark | Charles-Valentin Alkan, twelve studies in all the major keys op. 35: an analysis | MusM | University of Western Aust. | 1988 | 102 + 2 tapes |
| FOOTE, Andrew R. | Schubert's Winterreise in recordings: performance practice trends as revealed by a comparison of selected twentieth-century recordings | MusM | University of Western Aust. | in progress (NiC08/07) | |
| GILLING, Graeme | An analytical study of Johannes Brahms's piano trio no. 2 in C major op. 87 | MusM | University of Western Aust. | 1985 | 69 + 2 CD |
| POULSEN, Darryl | The art of hand-horn playing as seen through the instruction manuals of O. Vandenbroek and H. Domnich | MusM | University of Western Aust. | 1983 | 109 |
| SHAW, Irene | An analysis of Richard Strauss: Sonata in E major, op.18 for violin and piano. | MusM | University of Western Aust. | 1996 | 115 |
| SUNMAN, Peter R | Spohr, Hermstedt and the clarinet : an historical study and critical analysis of selected works | Mus.M | University of Western Aust. | 1985 | 78 |
| CHEN-MERRETT, Shaohua | Beethoven and the Violoncello: The Influence of Jean-Louis Duport (1749-1819) | Mphil (perf) | University of Queensland | 2006 | 96 |
| HEALEY, Kristine | From the Birdcage to the Concert Stage: The Transformation of the Boehm Flute | MPhil (perf) | University of Queensland | 2006 | 49 |
| OOSTENBREOK, Neridah | A Critical Comparison of Two Major French Violin Sonatas Written in the Late Nineteenth Century | MPhil (perf) | University of Queensland | 2007 | 51 |
| STOCKER, Melinda Suat-Lee | The Evolution of the Caprice for Solo Violin with Reference to the Caprices by Locatelli, Paganini and Reitz | MPhil (perf) | University of Queensland | 2005 | 41 |
| MATHESON, Elizabeth | Music in Australia during the Gold Rush: A Biography of Madame Cavendish | MPhil | Australian National University | in progress (NiC08/07) | |
| SIMONS, Tanya | Approaches to Tchaikovsky's sixth symphony : a comparative analysis of three recordings | MMus Stud | University of Queensland | 1999 | 48 |
| YU, Catherine Chin-Yen | Aspects of nationalism in nineteenth-century Spanish piano music : a critical commentary on selected works by Granados, Falla and Albeniz | MMus Stud | University of Queensland | 2001 | 52 |
| HALDEY [Khaldei], Olga | Russian historical opera of the 19th century : a teacher guide | MMus Ed. | University of Sydney | 1993 | 158 |
| MERCER, Christine | "A Cinderella of the Arts:" The life of Henry Tate (1873 - 1926) and a preliminary catalogue of His Works | MMus (Prelim) | Australian Catholic University | 2003 | 108 |
| PASS, Bruce | The Sechs Goethe-Lieder von Beethoven by Franz Liszt : aspects of transcription and their place in his oeuvre | MMus (Perf) | University of Sydney | 2005 | 96 |
| CAMERON, Neil Matheson | Music of the Anglican churches of the diocese of Sydney, 1836-1868 | MMus (Musicology) | University of Sydney | 2006 | 269 |
| ELLSMORE, Caroline | Late-nineteenth century Musical Theatre performance practice in Verdi's "La Traviata" and other works. | MMus (Hons) | University of New England | in progress (2007) | |
| KIPNIS, Boris | Ludwig van Beethoven quartets, op. 18 | MMus | Massey University | 2002 | 66 |
| ANDERSON, Peter James | The innovative music of Percy Grainger : an examination of the origins and development of free music | MMus | University of Melbourne | 1979 | 114 + cass |
| BEBBINGTON, Warren Arthur | The operas of G.W.L. Marshall Hall | MMus | University of Melbourne | 1978 | 295 |
| BHANA, Usha | Tales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and Tchaikovsky | MMus | Victoria University of Wellington | 2002 | 150 |
| BLEAKLEY, Helen Ruth | Schumann's sonata for violin and piano op. 121: approaches to performance | MMus | University of Queensland | 1999 | 43 |
| BONSEY, Joan | German Romanticism and its impact on Schubert, Schumann and Brahms : a study of the relationships between historical, ideological and musical developments in nineteenth century Germany with specific reference to Lieder and chamber works of Schubert, Schumann and Brahms | MMus | University of Melbourne | 1972 | 147 |
| BORTOLUSSI, Anne | Possible influences of Bach on the harmonic and contrapuntal language of Brahms's Klavierstucke opp. 116-119 | MMus | University of Melbourne | 1991 | 75 |
| BRASIER, Angeline | Pauline Viardot: her music and the Spanish influence | MMus | University of Melbourne | 2000 | 88 |
| CAMPBELL, Glenn D. | The use of the piano as an accompanying instrument in the songs of Debussy, Ravel and Poulenc | MMus | University of Melbourne | 1974 | 126 |
| CANDY, Phillipa | Motivic/thematic development in the piano works of Alexander Scriabin | MMus | University of Tasmania | 1984 | 165 |
| CAULFIELD, Alan | The use of the tuba family in Wagner's Ring | MMus | University of Newcastle | in progress (NiC08/07) | |
| CHAMBERLAIN, Robert E | Schubert's Mayrhofer Lieder : an examination of the relationship between accompaniment and text | MMus | University of Melbourne | 1989 | 111 |
| CHAN, June Lai-Yee | The devlopment of tonal language in the nocturnes for piano by Gabriel Faure | MMus | Australian Catholic University | 1995 | 113 |
| CLARK, Jodi R. | The songs of Henry Handel Richardson | MMus | Monash University | withdrawn c.2005 | |
| COOTE, Darryl Glen | The influence of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era | MMus | University of Melbourne | 1989 | 50 |
| CRICHTON, Kieran | "The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. Nickson | MMus | Australian Catholic University | 2005 | 145+ |
| CRISP, Deborah | Chopin as composer and pianist: stylistic sources | MMus | Australian National University | 1994 | 154 |
| CUDDEFORD, Tara | Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar | MMus | University of Queensland | 2002 | 82 |
| DANILLON, Regis | The solo piano works of Roger-Ducasse: an analysis of style | MMus | University of Queensland | 1988 | 81 |
| DAVISON, Alan | Studies in the iconography of Franz Liszt | MMus | University of Melbourne | 2002 | 276 |
| DAWSON, Jenny | Opera in colonial Brisbane: the first twenty-five years (1859-1884) | MMus | University of Queensland | 1987 | 221 |
| DODSWORTH, Judith | Some observations on the vocal implications of singing to guitar accompaniment, with particular reference to the lieder of Schubert | MMus | University of Melbourne | 1998 | 31 |
| DRON, Carson | Liszt's sonata in B minor : an examination of existing analyses and a proposed new approach via graphic analysis ; Composition folio : Concerto for piano and orchestra, Fantasy for solo piano, Fantasy suite for piano and marimba | MMus | University of Queensland | 1996 | 1 vol |
| DUTHOITE, Andre | The interpretation process in relation to four works by J.S. Bach, Boccherini and Brahms | MMus | University of Queensland | 2000 | 65 |
| ENYI, Romola Helen Louise | The interaction of styles in pianoforte and orchestral writing between 1810 and 1910 | MMus | University of Sydney | 1975 | 90 |
| FARMER, Elizabeth-Anne | The organ works of Cesar Franck : the performing traditions and their influence | MMus | University of Melbourne | 1994 | 118 |
| FRANKLIN, James Ashley | Circles and arrows : an outline of a concept of musical metaanalysis and its implications | MMus | University of Sydney | 1987 | 142 |
| GIBSON, Robert R. | Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic text | MMus | University of Sydney | 1998 | 131 |
| GLENN, Charles | Performance practice in Liszt and the Liszt sonata: a performer's view | MMus | University of Queensland | 1994 | 113 |
| GOSTELOW, Gavin | Indications for the use of a moderator pedal in the piano sonatas of Jan Ladislav Dussek. | MMus | University of Sydney | in progress (2007) | |
| GRANTHAM, Edward McNeal | Hill organs in Australia, 1850-1910 : a critical survey and chronicle of developments in organs sent to Australia by William Hill and Sons, London | MMus | University of NSW | 1988 | 157 |
| GREEN, Phillip R.O. | The impetus for the change from shared to single direction in the European orchestra of the late eighteenth and early nineteenth centuries | MMus | University of Queensland | 1994 | 45 |
| GUSTAVSON, Corliss | Pianists of Australia | MMus | University of Queensland | 1977 | 328 |
| HARDIE, Jane | French song in the nineteenth century: aspects of the relationship of music and poetry | MMus | University of Melbourne | 1963 | 209 |
| HART, Susan | Late 19th-century Italian opera | MMus | University of Newcastle | in progress (NiC08/07) | |
| HARVIE, Paul | The first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 | MMus | University of Melbourne | 1983 | 53 |
| HEIM, Christian | What the ear cannot hear : hidden structures in three works of music with programmes of a christian nature | MMus | University of Sydney | 1995 | 109 |
| HOLTZAPFFEL, Ann Esther | Ysaye's sonatas: In whose image? | MMus | Australian National University | 1998 | 132 |
| HORVAT, Christopher Karl | Sonata forms in the keyboard music of Liszt | MMus | University of Melbourne | 1988 | 78 |
| HYLAND, Sonia | A comparative study of performance and interpretation of the late Beethoven string quartets | MMus | University of Tasmania | 1984 | 136 |
| KELLY, Jane | The piano works of Deodat de Severac: technical and timbral concerns | MMus | University of Queensland | 1994 | 71 |
| KIM, Ga-Won | An analytical study of the three 1841 variation sets for piano solo by Felix Mendelssohn | MMus | University of Western Aust. | 2006 | 97 |
| KNOX, Sarah | Female violin virtuoso : their emergence and growing acceptance in the Nineteenth and early Twentieth centuries | MMus | Griffith University | 2003 | 196 |
| LAIS, Peggy | The rise and fall of the Melbourne Popular Concerts: chamber-music concerts in pre-Federation Melbourne | MMus | University of Melbourne | 2004 | 136 |
| LAUER, Helena | Places where they sing: Anglican church music in South Australia from 1836 | MMus | University of Adelaide | 2004 | 450 |
| LAWLER, Stephen | Development of the brass band genre in the nineteenth century | MMus | University of Adelaide | in progress (NiC08/07) | |
| LIN, En Pei | The development of piano music in China | MMus | University of Tasmania | 1989 | 133 + 5 cass |
| LU, Pei-Yun Julia | The Prix de Rome competition: success, failure or prophet | MMus | University of Melbourne | 2002 | 145 |
| MANDENO, Jennifer | The reception of the Boehm system flute in Paris | MMus | University of Melbourne | 2002 | 46 |
| McEWEN, Timothy Michael | The Australian organ and its music: past, present and future | MMus | Griffith University | 1998 | 187 |
| McRAE, Barbara Leclerc. | The modern school of French organ music : a study of organ music in France since the time of Franck | MMus | University of Melbourne | 1972 | 301 |
| MITCHELL, Andrew J | The tonal and technical development of the orchestral clarinet section in the symphonic medium from Beethoven to the twentieth century | MMus | University of Melbourne | 1987 | 46 |
| MOORE, Laurence James | Sing to the Lord a new song: a study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901 | MMus | Australian Catholic University | 2004 | 188 |
| MURRAY, Kenneth | Angel Barrios : Granada, the guitar and Manuel de Falla | MMus | University of Melbourne | 1994 | 103 |
| NAYLOR, Bruce Allan | Gazetteer of organs in South Australia & Organ Building in South Australia | MMus | University of Adelaide | 1969 + 1973 | 320 |
| NOBLE, Alistair | The Australian pianist, Winifred Burston, 1889-1976 | MMus | Australian National University | 1994 | 123 |
| NOVEMBER, Nancy Rachel | Violin playing in an era of change: violin construction and technique in the late eighteenth and early nineteenth centuries. | MMus | Victoria University of Wellington | 1996 | 200 |
| PEARCE, Rowena | Rediscovering Mirrie Hill (1889-1986) : 'composer in her own right' | MMus | University of Melbourne | 2002 | 169 |
| PETHERICK, Bruce | Orchestration treatises of the 19th and early 20th centuries | MMus | University of Melbourne | withdrawn c.2006 | |
| POMMEREL, Tom | The early nine polonaises as precursors of Chopin's mature style | MMus | University of Queensland | 1994 | 84 |
| POWER, Anne | Verdi and the milieu of the Paris opera | MMus | University of NSW | 1990 | 184 |
| POWER, Geraldine | Yvette Guilbert: A Career of Public Applause and Personal Disappointment | MMus | University of Melbourne | 2002 | 164 |
| PURCELL, Kevin John | The exposition of drama in Puccini's La Boheme : an analysis of the opera's musical and dramatic congruence as evident through its structural proportionality | MMus | University of Melbourne | 1992 | |
| RADIC, Therese | Aspects of organised amateur music in Melbourne, 1836-1890 | MMus | University of Melbourne | 1968 | 749 |
| REED, Thayer Elizabeth | The Englishness of Ralph Vaughan Williams: an evaluation of the Grand Old Man of English music characterisation. | MMus | Victoria University of Wellington | 1995 | 108 |
| REIBEL, Michael B | The development of the German system clarinet: circa 1700-1900 | MMus | University of Queensland | 2003 | 54 |
| RIDDELL, Glenn Allan Keith | The pianism of Percy Grainger : a study of his score annotations | MMus | University of Melbourne | 1989 | 60 |
| ROBERTS, Gwyn L. | The conductor as accompanist with reference to three romantic concertos | MMus | University of Queensland | 1995 | 71 |
| ROENNFELDT, Peter | A history of the first hundred years of Lutheran church music in South Australia | MMus | University of Adelaide | 1981 | 165 |
| ROSS, David Ian | Singing and society: Melbourne 1836-1861 | MMus | University of Melbourne | 1982 | 336 |
| ROYLANCE, Philippa M. | A performing edition of Domenico Dragonetti's solo in G for double bass and piano and a thematic index of his miscellaneous compositions for double bass. | MMus | University of Queensland | 1986 | 2 vol |
| SEAMAN, Katherine H. | Anton Grigorévich Rubinstein, founder of the Russian Music Society and the St Petersburg Conservatory: an outline of his life as a pianist, pedagogue and composer, with particular reference to his sonatas for piano | MMus | University of Auckland | 1997 | 313 |
| SEELIGSON, Rita | Variation technique in the third movement of Beethoven's Piano sonata, Op. 109 | MMus | University of Melbourne | 1988 | 49 |
| SEGAL, Deviani Sarah | The impact of feminist studies on the portrayal of women in music history : Fanny Hensel, a case study | MMus | University of Melbourne | 1993 | 42 |
| SELIGSON, Rita | Variation technique in the third movement of Beethoven's Piano sonata, Op. 109 | MMus | University of Melbourne | 1988 | 49 |
| SELMON, Diane | Linking Liszt's songs to his piano music and the wider compositional context | MMus | Griffith University | 2006 | 80 |
| SHIBAKI, Noriko | Johann Baptist Cramer (1771-1858) and his Instructions for the Piano Forte (1812) NOT FOUND IN CATALOGUE | MMus | Australian Catholic University | 1996 | NF |
| SHLOMOWITZ, Matthew | Hands above, feet trying (1996) ; Quintet ; Thinking, speaking ; Thinking, remembering ; Thinking, beginning . + A survey of the transcription works of Michael Finnissy : informed, illuminated and contextualised by the piano music and writings of Ferrucio Busoni, Leopold Godowsky and Franz Liszt | MMus | University of Sydney | 1997 | 2 vol |
| SMART, Bonnie | Leon Caron and the music profession in Australia | MMus | University of Melbourne | 2003 | 67 |
| SMITH, Russell Hugh | Albert Lortzing, Der Wildschutz : the creative process | MMus | University of Tasmania | 1988 | 525 + cass |